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The Quick Answer I think that amp settings for rock music are fairly complex, that's why I've created an in-depth guide to explain everything fully so you know what to do with your rig. But if you're here for a quick answer, then here's a diagram to show you the best place to start! Rock Music Amp Settings Gain: 6-7 Bass: 5 Treble: 4 Mids: 7
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AC/DC Preset #3. A Sustainer, an Equalizer, a Marshall JTM45 and a Reverb pedal is a popular bass guitar preset of AC/DC. Setting up the knobs of the Sustainer, the Equalizer, the Marshall JTM45 and the Reverb pedal as the way they are shown below, is another excellent way to get the bass guitar tone of AC/DC. This preset has the hashtags #ac/dc .
AC/DC Control settings on Angus Young's Marshall. (133368) Amp settings, Marshall amps
Amp Settings: Angus Young of AC/DC Written by Bobby Kittleberger December 22, 2022 Leave a Comment Filed Under: Amp Settings, Artists AC/DC's Angus Young is best categorized as a classic rock guy, though AC/DC still sees a lot of significant mainstream success.
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#1 Hi everyone, AC/DC's one of my favorite bands, and I love their guitar sound and how Angus and Malcolm interact with each other on the records. After listening to some isolated tracks, I've noticed that Malcolm (on the left) has a darker and lower-gain sound, while Angus (on the right) has a bright, aggressive, high-gain tone.
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Originally designed as a bass amp, the Super Bass shared circuitry with the SL model but was tweaked to give greater clean headroom at high volume. Perfect for Malcolm, whose rhythm tone is surprisingly clean - and his amp settings reflect this. Keep bass and mid at around 3, with treble and gain around 7 for a ballpark tone.
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AC/DC - Back In Black - Guitar Riff - Boss Katana Amp Settings, Tone Demo & Free Boss Katana Patch File Gear:Guitars: Gibson Les Paul Standard Amp: Boss Kata.
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Back in Black by AC/DC. Amp Settings for Back in Black. Gain: 7; Bass: 4; Mids: 7; Treble 6; Reverb: 2; Looking for more songs by AC/DC? Check out my complete AC/DC amp settings guide. Rock You Like a Hurricane by Scorpion . Amp Settings for Rock You Like a Hurricane. Gain: 6; Bass: 6; Mids: 6; Treble 8; Reverb: 2; Summer Of 69โฒ by Bryan.
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To get closer to AC/DC's guitar tone, use these settings as your starting point: Volume: 6 Gain: 7 Bass: 5 Middle: 6 Treble: 6 Presence: 7 Reverb: 3 Depending on your setup, some of these settings might need a little tweaking.
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How To Play Back In Black on ELECTRIC LESSON https://www.youtube.com/watch?v=vzVwHqjkPW4Back In Black ACOUSTIC Guitar lesson https://www.youtube.com/watch?v=.
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AC/DC Sound - Tips for amp settings to get that sound CozmoCag 33 subscribers Subscribe 158 Share 57K views 13 years ago How to get that AC/DC "clean distortion" sound (the Malcolm.
AC/DC Control settings on Stevie/Malcolm Young's Marshall (3146.570) Stevie Young, Amp
Amp settings Angus and Malcolm have both stated in interviews that very little or no pre-gain was used on the amps and the distortion comes from a heavier attack on the strings. Lead:
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1. For a Clean Sound & Shimmer 2. Ideal Fender Amp EQ 3. Clean Base for Delay 4. Low Gain for Rock 5. The Wah Cut 6. An Amp EQ for Metal
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Some Quick amp settings to sound like AC/DC are: Gain: 7 Treble: 6 Middle: 5 Bass: 6 Presence: 5 This will allow you to get a good classic crunch tone that will emulate their sound. All without having to blast your volume control to the maximum. Not sure what amp settings actually do?
Iconic Guitar Tones AC/DC's "Back in Black"
Dagan runs us through his very informative AC/DC Gear Guide. Find out what amps, guitars and pedals Angus Young & Malcolm Young use.In this video, Dagan show.
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In the studio โ particularly when recording AC/DC's monumental Back in Black album โ Young used a wide variety of different Marshall amp heads to narrow down the perfect individual guitar tones for each song.
NEW AND IMPROVED AMP SETTINGS AC/DC AMP SETTINGS
This is a really interesting one because you probably don't need any pedals if you've got the right sound coming out of your amp. The ACDC sound is quite dry, so you won't need modulation, delay or reverb pedals. The bass drives the low-end and the rhythm from the drums and rhythm guitars is what really makes the tracks.